PK2
Painted fibreglass
58 x 26 x 50 cms
1998
A giant piece of chewed gum mounted on a wall as if discarded.
Turk has made many artworks using chewing gum, and this piece is from a series of large, manufactured blobs attached to the gallery wall. Another work from the same series is titled ‘Stucco’, playing on the fact that, while gum literally gets stuck to street furniture, ‘Stucco’ itself is a kind of fine plaster used for the ornate mouldings that you find in old buildings.
Exhibitions
- The Stuff Show - South London Gallery, 1998
- Gavin Turk - Aeroplastics, 2008
- A - Ben Brown Gallery Limited, 2014
- Golden Delicious - Louisa Guinness Gallery, 2015
Essays
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Chewing Gum - Dixe Wills
SHOW
Chewing Gum - Dixe Wills
There is no real reason why chewing gum in its modern form should exist at all. At the time it was invented it served no purpose beyond the satisfaction derived from purchasing and owning an object (albeit briefly), and the pleasure to be had in exercising one’s lower jaw. Any functionality that is now ascribed to modern day chewing gum has been grafted onto it since its first appearance 120-odd years ago.
Apparently cursed with a lot that plumbs the depths of banality – there can be few fates less appealing than being placed in the mouth to be masticated into tastelessness before being spat out – chewing gum has somehow achieved iconic status. The frivolous nature of its existence, its record as one of the first mass-produced products of the twentieth century, and its standing as the epitome of inbuilt obsolescence have assured its place as a poster boy for the consumer culture of the developed world.
It was not always thus. The first chewing gum was extremely practical in nature. Archaeologists working in Sweden and Finland have discovered pieces of birch bark tar imprinted with human tooth marks made over 5000 years ago. Our Neolithic