Red Beuys
Silkscreen on canvas
180 x 250 cms
2005
A print of the Artist as Joseph Beuys in red on a Jenkins green background. Printed in the style of an Andy Warhol silkscreen.
Exhibitions
- Gavin Turk: Faces Edinburgh - Edinburgh Printmakers, 2004
- Negotiation of Purpose, Grenoble - Magasin, 2007
- White Elephant - Sean Kelly Gallery, 2005
- London Calling. Y(oung) B(ritish) A(rtists) Criss-Crossed - Kaare Bernsten, 2005
- Something Like This - Park Ryu Sook Gallery, 2010
- The Negotiation of Purpose - GEM, 2007
Essays
-
Which Came First? - Rachel Newsome
SHOW
Which Came First? - Rachel Newsome
To begin at the end. In a sky-lit wood-panelled room inside the Royal College of Art mounted on an otherwise empty wall in an otherwise empty room, a blue ceramic English heritage plaque reads “Gavin Turk, Sculptor, worked here 1989 – 1991”. A commemoration of a life, it marks the presence of the artist with the most powerful and evocative of the tools that might be at his disposal - his absence. The curtain has fallen. The titles are rolling. Gavin Turk has left the stage. Death as performance. While the absence of the artist, we make the art.
The artist is no more and all that is left for the audience in this empty white space is to reverently imagine the work which once filled this space, while apprehending that the emptiness is the work. And so material object of the plaque frames the space and the art work frames the artist, the one somehow preceding the other in an elliptical sleight of hand, as the end frames the beginning. The artist is dead. Long live art!
To kill yourself off before your career has even begun is a particularly punk thing to do (never